死亡与变形海报

影片详情

死亡与变形

  In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at C

7.2评分36.0万播放DVD状态
类型
剧情片
年份
1983
地区
英国
语言
英语
导演
特伦斯·戴维斯
主演
威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree

播放地址

《死亡与变形》选集

剧情资料

剧情简介

《死亡与变形》讲述的是什么故事?

《死亡与变形》  In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time he's in middle age caring for his cheerful but dying mother he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men he recalls lovers and his mother's cremation. A nurse sits beside him on his last night in his last breath, he reaches forward and back..

一、《死亡与变形》是哪一年上映的?

《死亡与变形》是特伦斯·戴维斯于1983年拍摄的一部经典剧情片。此片开创英国当代剧情片的先河,《死亡与变形》上映时票房稳坐前三,创下当年纪录。当时威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree均为最佳主角,威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree以精彩演技和突出形象,奠定在英国影坛地位。威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree饰演角色造型多年后仍为人所模仿。特伦斯·戴维斯之前曾被人怀疑其能力,而《死亡与变形》却奠定特伦斯·戴维斯剧情片风格。《死亡与变形》首映时曾获海外剧情片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1983年代)英国优秀剧情片齐名。

二、被称为剧情片的开先河之作的《死亡与变形》,是特伦斯·戴维斯最好的作品吗?

从特伦斯·戴维斯斩获剧情片最佳导演开始,很多观众就觉得这部《死亡与变形》是他极具代表性的剧情片。虽然特伦斯·戴维斯后来还拍出过评价很好的作品,但是《死亡与变形》依然常被认为是他剧情片创作中的重要代表。

三、《死亡与变形》为什么可以成为经典?

提起英国,不少观众都会想到《死亡与变形》的名字。这部由特伦斯·戴维斯导演,威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree主演的《死亡与变形》,在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合,让《死亡与变形》在同类型作品中具有较高辨识度,也让观众对其中的情节留下深刻印象。

四、如何评价《死亡与变形》?

《死亡与变形》口碑表现稳定,深受广大观众喜爱。不仅威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree的表演有看点,而且该剧情片故事情节紧凑,影视8(8.hnttlq.cn)观看起来流畅,同时还能保持较强的剧情吸引力。虽然不同观众对《死亡与变形》的评价各有侧重,但该片目前的受欢迎程度已经名列同类作品前茅。

五、《死亡与变形》剧情片的主要内容

《死亡与变形》是一部剧情片作品,由导演特伦斯·戴维斯执导,威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree主演。影片围绕主要人物的经历展开,通过人物关系、情节推进和情绪变化,呈现出一段具有观看价值的剧情片故事。

《死亡与变形》  In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time he's in middle age caring for his cheerful but dying mother he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men he recalls lovers and his mother's cremation. A nurse sits beside him on his last night in his last breath, he reaches forward and back..