空气之魂,云之精灵海报

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空气之魂,云之精灵

  非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照:  http://www.mitternachtskino.de/spiritsoftheair.htm  Like a dr

9.9评分44.9万播放HD状态
类型
科幻片
年份
1987
地区
其它
语言
英语
导演
亚历克斯·普罗亚斯
主演
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis

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剧情简介

《空气之魂,云之精灵》讲述的是什么故事?

《空气之魂,云之精灵》  非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照:  http://www.mitternachtskino.de/spiritsoftheair.htm  Like a dream, some things can only be experienced to understand  This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.  All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.  This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.  Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

一、《空气之魂,云之精灵》是哪一年上映的?

《空气之魂,云之精灵》是亚历克斯·普罗亚斯于1987年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河,《空气之魂,云之精灵》上映时票房稳坐前三,创下当年纪录。当时Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis均为最佳主角,Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis以精彩演技和突出形象,奠定在其它影坛地位。Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis饰演角色造型多年后仍为人所模仿。亚历克斯·普罗亚斯之前曾被人怀疑其能力,而《空气之魂,云之精灵》却奠定亚历克斯·普罗亚斯科幻片风格。《空气之魂,云之精灵》首映时曾获海外科幻片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1987年代)其它优秀科幻片齐名。

二、被称为科幻片的开先河之作的《空气之魂,云之精灵》,是亚历克斯·普罗亚斯最好的作品吗?

从亚历克斯·普罗亚斯斩获科幻片最佳导演开始,很多观众就觉得这部《空气之魂,云之精灵》是他极具代表性的科幻片。虽然亚历克斯·普罗亚斯后来还拍出过评价很好的作品,但是《空气之魂,云之精灵》依然常被认为是他科幻片创作中的重要代表。

三、《空气之魂,云之精灵》为什么可以成为经典?

提起其它,不少观众都会想到《空气之魂,云之精灵》的名字。这部由亚历克斯·普罗亚斯导演,Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis主演的《空气之魂,云之精灵》,在当时凭借鲜明的人物塑造和紧凑的科幻片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合,让《空气之魂,云之精灵》在同类型作品中具有较高辨识度,也让观众对其中的情节留下深刻印象。

四、如何评价《空气之魂,云之精灵》?

《空气之魂,云之精灵》口碑表现稳定,深受广大观众喜爱。不仅Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis的表演有看点,而且该科幻片故事情节紧凑,影视8(8.hnttlq.cn)观看起来流畅,同时还能保持较强的剧情吸引力。虽然不同观众对《空气之魂,云之精灵》的评价各有侧重,但该片目前的受欢迎程度已经名列同类作品前茅。

五、《空气之魂,云之精灵》科幻片的主要内容

《空气之魂,云之精灵》是一部科幻片作品,由导演亚历克斯·普罗亚斯执导,Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis主演。影片围绕主要人物的经历展开,通过人物关系、情节推进和情绪变化,呈现出一段具有观看价值的科幻片故事。

《空气之魂,云之精灵》  非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照:  http://www.mitternachtskino.de/spiritsoftheair.htm  Like a dream, some things can only be experienced to understand  This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.  All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.  This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.  Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.