巴斯克维尔猎犬

《巴斯克维尔猎犬》讲述的是什么故事？

《巴斯克维尔猎犬》　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.　　- JohnHowardReid, imdb

一、《巴斯克维尔猎犬》是哪一年上映的？

《巴斯克维尔猎犬》是Carl Lamac于1937年拍摄的一部经典爱情片。此片开创其它当代爱情片的先河，《巴斯克维尔猎犬》上映时票房稳坐前三，创下当年纪录。当时Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp均为最佳主角，Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp以精彩演技和突出形象，奠定在其它影坛地位。Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp饰演角色造型多年后仍为人所模仿。Carl Lamac之前曾被人怀疑其能力，而《巴斯克维尔猎犬》却奠定Carl Lamac爱情片风格。《巴斯克维尔猎犬》首映时曾获海外爱情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1937年代）其它优秀爱情片齐名。

二、被称为爱情片的开先河之作的《巴斯克维尔猎犬》，是Carl Lamac最好的作品吗？

从Carl Lamac斩获爱情片最佳导演开始，很多观众就觉得这部《巴斯克维尔猎犬》是他极具代表性的爱情片。虽然Carl Lamac后来还拍出过评价很好的作品，但是《巴斯克维尔猎犬》依然常被认为是他爱情片创作中的重要代表。

三、《巴斯克维尔猎犬》为什么可以成为经典？

提起其它，不少观众都会想到《巴斯克维尔猎犬》的名字。这部由Carl Lamac导演，Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp主演的《巴斯克维尔猎犬》，在当时凭借鲜明的人物塑造和紧凑的爱情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《巴斯克维尔猎犬》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《巴斯克维尔猎犬》？

《巴斯克维尔猎犬》口碑表现稳定，深受广大观众喜爱。不仅Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp的表演有看点，而且该爱情片故事情节紧凑，影视8（8.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《巴斯克维尔猎犬》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《巴斯克维尔猎犬》爱情片的主要内容

《巴斯克维尔猎犬》是一部爱情片作品，由导演Carl Lamac执导，Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的爱情片故事。

《巴斯克维尔猎犬》　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.　　- JohnHowardReid, imdb